THE RITA’s new full length work is a complex work of obsessive research on discipline, elite beauty, and suffering in the world of Ballet.
The main piece of the album is a lengthy composition that starts extremely minimal with subtle textural sounds, interrupted by samples of actual ballet training sessions.
Sounds slowly builds up in a over the top harsh noise machinery that brings Sam McKinlay’s classic trademark that crowned him as the godfather of harsh noise wall, with a monolithic build up of violence and intensity.
Second track is a power electronics rework of the the same sounds executed by Insubria hostile electronic unit CALIGULA031 that mixed all material with analog/modular sounds and in your face vocals, underlining different possibilities of textural processing.
Regarding the original sound sources, Vancouver musician, media artist, trained dancer Kelly Davis rigorously went through various feet positions and movements of classical ballet including ‘Battements’, ‘rotary movements’, ‘connecting and auxiliary movements’, etc. while a Traumatone contact microphone was rigged with a knee support brace to the side of her knee / thigh to capture the sounds of any hint of movement.
The different chapters of sound were all repeatedly processed live by THE RITA as Davis went through her various positions and movements.
THE RITA’s recent use of extended samples as a single, conceptual release or as a building block of material is derived from the complete immersion in a topic found in earlier influences of WHITEHOUSE, TAINT, and OVMN, but also as an extension of his work with women’s singing and vocal work in the earlier THE RITA – ‘Womens Vocals’ LP.
McKinlay finds that the totemic fetishism and the subtle resonances of the female voice as they describe the topic(s) help to bury the listener into all that is woman, especially as the samples shift into the symmetry of a female dancer’s recorded movement.
Co-produced by Old Europa Café with Elettronica Radicale Edizioni, limited to 300 copies, comes in digipack and illustrated 12 pages booklet with unsettling text contributions by ex-dancer/writer Simone Paget and Marco Deplano (Wertham).
01. Ballet Feet Positions 38'41"
02. En Pointe! 11'41"
Old Europa Cafe AVS