¿Que Sucede Con El Tiempo?



Album dated 1990 in perfect conditions.
"Used item" from OEC personal collection!

A cultishly coveted slab of freeform new wave dance/tape music from 1984 Madrid, Spain.
Notable not only for including Beppe Loda’s Typhoon favourite, La Edad Del Bronce – which sounds uncannily like a cut from Craig Leon’s Nommos – this album also features the beguiling concrète funk of ‘Galilea: Centro De Datos’, which, by any measure bears a striking, prototypical resemblance to Photek’s Ni – Ten – Ichi – Ryu and has become something of an oft-asked about staple in DeadCert’s polysemous, polymetric DJ sets.
Founded in 1978, Mecánica Popular was the brainchild of Luis Delgado (also a member of Finis Africae) and Eugenio Muñoz, conceived and nurtured during after-hours sessions in Madrid’s RCA studios exclusively using tape loops only – no samples involved.
They did however, use an innovative set-up including a Polaroid 600 camera, an Eventide H910 Harmonizer, and the Arp Odyssey, all fed thru a matrix of FX, to make a wonky, clanking sound that could be happily compared with the output of Conrad Schnitzler, Chris Carter, Jon Hassell, or Kerry Leimer during that fertile early ’80s era.

A1  Impresionistas
A2  La Edad Del Bronce
A3  Impresionistas II
A4  Quiero Irme
A5  Siempre Tu
A6  Impresionistas III
A7  Estado Sólido
B1  Galilea: Centro De Datos
B2  Daguerrotipo
B3  Ambrotipo
B4  Plenilunio
B5  Máquinas Y Procedimientos
B6  Impresionistas IV

This is rare!
65.00 €
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